National Wake (often referred to as “The Wake”) was an influential mixed-race apartheid-era band based in Johannesburg, South Africa. The Wake were active in the late seventies and early eighties. The great boutique reissue label Light In the Attic, has compiled everything the band ever recorded, and is releasing it to you! Walk in Africa 1979-81 is National Wake’s compilation album, which will be released on 10/2/2013. This pre-order is currently available, and the FIRST 150 PRE-ORDERS GET LIMITED PRESSINGS ON GREEN WAX!
AVAILABLE: OCTOBER 8, 2013
The South Africa of the late 1970s was neither the right place nor time to launch a mixed-race punk band. Yet, following the student-inspired Soweto Uprising of 1976, it was also exactly the right conditions to foster a band like National Wake, one formed in an underground commune, and one whose very name exists in protest at the divisive, racist apartheid regime. Never before collected together, Light In The Attic is set to release National Wake‚Äôs full body of work as Walk In Africa 1979-81.
Featured heavily in the recent documentary Punk In Africa , National Wake played punk, reggae and tropical funk, equally at home in the city‚Äôs rock underground and the township nightclub circuit. Ivan Kadey started the band with two brothers, Gary and Punka Khoza. The three were from different worlds ‚Äď while Ivan was an outsider, a Jewish orphan born in the traditional Johannesburg immigrant neighborhood, Gary, Punka and their family were forcibly moved to the troubled township of Soweto under the apartheid regime. Later joined by guitarist Steve Moni, the whole band grew up against a backdrop of township unrest, social upheaval and suburban tedium that characterized apartheid-era South Africa.
National Wake released just one album, in 1981. It sold approximately 700 copies before being withdrawn under government pressure. The band subsequently disintegrated, but their influence could be traced in the racially mixed post-punk underground centered around Rockey Street in Johannesburg throughout the 1980s, their legacy transmitted through fanzines and underground cassette trading.
Sadly, Gary and Punka Khoza both passed away in their 40s. Kadey now works as an architect in Los Angeles, but his attention eventually turned back to the band as their legacy grew in the digital era, with the emergence of specialized music websites and Punk In Africa leading to their rediscovery. Czech State Radio memorably described the band as ‚Äúperhaps the most dissident music scene of the 20th century: a multi-racial punk band in a fascist police state.‚ÄĚ
In 2011, Kadey re-released the band‚Äôs self-titled album on CD in South Africa, but spoke about having more than 20 tracks that had never seen the light of day ‚Äď until now. ‚ÄúAll of these recordings put together they speak of the whole evolution of the band,‚ÄĚ he has said. ‚ÄúFrom a sort of naive, almost belief that we could miraculously change everything to realizing what a struggle it was, and what the country was going through and what it would go through.‚ÄĚ
First ever anthology
Remastered from original sources
2xLP housed in a deluxe gatefold tip-on jacket with 20-pg book, and download card for full anthology
CD housed in a deluxe gatefold tip-on jacket with 48-pg book
Scholarly liner notes by Punk In Africa film director Keith Jones
Unseen photos, flyers, and band ephemera
Vinyl cut by John Golden and pressed at RTI
ON-LINE ONLY (limit one per customer): First 150 pre-orders get limited pressing on GREEN wax! Don‚Äôt sleep!
LP SUBSCRIBERS ONLY: Limited pressing on RED/BLUE/YELLOW splatter wax!
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