Last September our Matt Rosen gaveÂ Pillar Point’s Diamond Mine single, Scott Reitherman’s solo debut on Polyvinyl,Â a plug and now Reitherman’s back with his debut self-titled full-length. The Line of Best Fit called Pillar Point “… [a splice between] M83 and Washed Out with glorious results” and I couldn’t agree more. Thus far, we have three songs from his self-titled debut – “Diamond Mine,” “Eyeballs,” and “Dreamin’.” At small moments during “Eyeballs,” Reitherman’s fair whispery and satiny vocals remind me of Jamie Stewart’s. “Diamond Mine” and “Dreamin’,” the first two singles from this album, are both catchy, colorful and billowy examples of synthpop.Â Pillar Point isn’t set to ship out until February of next year, so be aware if you decide to order it. Check out the three available singles fromÂ Pillar Point below and see what you think of them. Cheers!
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It shouldnâ€™t come as a surprise if something about Pillar Pointâ€™s nine-song self-titled album sounds familiar. Despite being the bandâ€™s debut, the moody, melancholy electronica is the work of Scott Reitherman, who until now has been primarily known for his involvement with indie-pop outfit Throw Me the Statue. And while Reithermanâ€™s new project shows off a never-before-seen gloom, his knack for writing tracks that crystalize emotion and work their way into a listenerâ€™s guts isnâ€™t at all obscured.
The album, produced by Reithermanâ€™s longtime collaborator Charlie Smith, is a musical departure for the Bay Area native. As Reitherman explains, â€śPart of what steered me toward the textures and beats of dance music was the feeling of catharsis you can experience through dance." Itâ€™s a noble idea, considering the themes Reithermanâ€™s songs are dealing with: heartbreak, loneliness, aging and isolation in an increasingly connected world.
Tracks like â€śEyeballs,â€ť a haunting, powerful ode to the solitude brought about by social networks, offer a sleek take on anguish that wouldnâ€™t be out of place alongside early Depeche Mode; â€śEchoesâ€ť and â€śCherryâ€ť are ethereal, evocative explorations of what Reitherman calls â€śthat apathetic, shell-shocked feeling young people have when theyâ€™re trying to figure out what to do with their lives.â€ť Considering the beats Reitherman has created, those young people might plan to spend the rest of their lives furiously dancing.
As the lyrical content reveals, Pillar Point is also a far more intimate project than anything Reitherman has ever embarked on. It's no coincidence that his own heartbreaks led to the songs that make up Pillar Point. Theyâ€™re bleaker than his previous work and exhibit a growth in both songwriting and orchestration.
"Writing darker songs with dance elements helped me to process the confusion and change I was experiencing in my own life because within the confines of a pop song I could control little moments of clarity and redemption," he says. "And for the listener it adds depth to what might otherwise be just dance music.â€ť
Born out of a two year recording process between Reitherman and Smith that stretched from Los Angeles to the Bay Area and ultimately Seattle, where Reitherman has once again settled, Pillar Point marks not only a fresh musical approach, but also a new mindset for writing songs. â€śOne of the things I wanted to do differently,â€ť he says, â€śis to lay it all out on table this time, to make my songs more bare and personal.â€ť
The songs on Pillar Point are certainly those things, but theyâ€™re also exciting, intricate and impossible to stop listening to. Thereâ€™s a heartbroken quality to them, sure, but one that seems like it might be cured if only we all close our eyes and move our feet until all is forgotten.
Release Date: Feb 25, 2014
- Maybe Buy
- Not My Style
- Too Expensive