RIYL: Saves the Day, The Movielife, The Juliana Theory
After an 8 year hiatus, The Get Up Kids are back, baby! Their first single “Satellite” shows that while the voice may still be as gravely as ever, the attitude and lyrical prowess has changed, creating a more melodic but still dramatic experience. The rest of the albumÂ is said to line up with this as the band now has kids, lives and emotions that are no longer juvenile, but still harken back to the feelings of both ecstacy and isolation that we felt and will feel until the end of time. I think it’s a great progression of a band that I was way into when they first came onto the scene but had lost my interest in their “we’re still young” phase.
There are also non-limited Light Blue versions for those who don’t want to get the bonus zine and everything else that makes the limited unique.
On their new album Problemsâtheir first full-length in eight yearsâThe Get Up Kids examine everything from life-changing loss to loneliness to the inevitable anxiety of existing in 2019. But by sustaining the essence of their soundâanthemic choruses with sing-along-ready melodiesâthe band highlights those troubles as a shared experience, giving way to an unbreakable solidarity. And at the heart of Problems is an invaluable element the bandâs embodied since their 1997 debut Four Minute Mile: a penetrating lyricism thatâs both acutely introspective and indelibly resonant.
The follow-up to 2018âs Kicker EP, Problems came to life in Bridgeport, Connecticut, with the band holing up together for a three-week span. Working with Grammy Award-winning producer Peter Katis (Kurt Vile, Japandroids, The National), The Get Up Kids took a characteristically riff-driven yet decidedly pop-minded approach to song structure, while also allowing themselves a new sense of creative freedom. âAt one point with this band, if we came up with something that felt too much like when we first started out, we wouldâve said, âNo, we canât do that anymore,ââ says Pryor. âThese days weâve learned how to write without roadblocking the ideas that come naturally to us.â
Kicking off with lead single âSatellite,â Problems opens on a stark arrangement of acoustic guitar and stripped-bare vocals, then bursts into brightly crashing rhythms and lyrics revealing the time-bending quality of The Get Up Kidsâ songwriting. âI started writing âSatelliteâ about my son whoâs 14 and a total introvertânot antisocial, he just genuinely likes to keep to himself,â says Pryor. âBut then somewhere down the line I started singing about myselfâabout how even when youâre playing a show to a room full of people, I can still feel anxious and isolated.â
Throughout Problems, The Get Up Kids again prove themselves attuned to the nuance of highly specific emotions, and ultimately validate the messiest and most nebulous of feelings. On the joyfully swinging, piano-heavy âThe Problem Is Me,â for instance, the band explores the notion of embracing your own romantic dysfunction, while âSalinaâ captures a small moment of melancholy with sweeping intensity and sprawling guitar work. Later, on âYour Ghost Is Gone,â The Get Up Kids deliver a gently devastating piano ballad sparked from an instrumental piece Dewees wrote soon after his motherâs death.
Through the years, The Get Up Kids have purposely pushed themselves toward previously unexplored songwriting material. âIâm 41 now, I could never write a song like when I was 19âall those âI miss my girlfriendâ kind of songs,â Suptic says. âItâs always important to us to write about wherever we are right now.â As shown on Problems, the resulting output both preserves the beloved spirit of The Get Up Kids and creates an entirely new context for their music. âA big part of the reason why we started writing new songs in the first place is that we have things we want to say about this moment in time,â says Pryor. âWeâre still so connected to our past and where this all came fromâitâs definitely a celebration of the fact that we still get to do this.â
1 Satellite (2:55)
2 The Problem Is Me (2:42)
3 Salina (4:38)
4 Now Or Never (3:05)
5 Lou Barlow (2:17)
6 Fairweather Friends (3:24)
7 Common Ground (4:04)
8 Waking Up Alone (3:28)
9 The Advocate (3:12)
10 Symphony Of Silence (2:56)
11 Brakelines (2:21)
12 Your Ghost Is Gone (3:48)
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