RIYL: Saves the Day, The Movielife, The Juliana Theory
After an 8 year hiatus, The Get Up Kids are back, baby! Their first single “Satellite” shows that while the voice may still be as gravely as ever, the attitude and lyrical prowess has changed, creating a more melodic but still dramatic experience. The rest of the album¬†is said to line up with this as the band now has kids, lives and emotions that are no longer juvenile, but still harken back to the feelings of both ecstacy and isolation that we felt and will feel until the end of time. I think it’s a great progression of a band that I was way into when they first came onto the scene but had lost my interest in their “we’re still young” phase.
There are also non-limited Light Blue versions for those who don’t want to get the bonus zine and everything else that makes the limited unique.
On their new album Problems‚ÄĒtheir first full-length in eight years‚ÄĒThe Get Up Kids examine everything from life-changing loss to loneliness to the inevitable anxiety of existing in 2019. But by sustaining the essence of their sound‚ÄĒanthemic choruses with sing-along-ready melodies‚ÄĒthe band highlights those troubles as a shared experience, giving way to an unbreakable solidarity. And at the heart of Problems is an invaluable element the band‚Äôs embodied since their 1997 debut Four Minute Mile: a penetrating lyricism that‚Äôs both acutely introspective and indelibly resonant.
The follow-up to 2018‚Äôs Kicker EP, Problems came to life in Bridgeport, Connecticut, with the band holing up together for a three-week span. Working with Grammy Award-winning producer Peter Katis (Kurt Vile, Japandroids, The National), The Get Up Kids took a characteristically riff-driven yet decidedly pop-minded approach to song structure, while also allowing themselves a new sense of creative freedom. ‚ÄúAt one point with this band, if we came up with something that felt too much like when we first started out, we would‚Äôve said, ‚ÄėNo, we can‚Äôt do that anymore,‚Äô‚ÄĚ says Pryor. ‚ÄúThese days we‚Äôve learned how to write without roadblocking the ideas that come naturally to us.‚ÄĚ
Kicking off with lead single ‚ÄúSatellite,‚ÄĚ Problems opens on a stark arrangement of acoustic guitar and stripped-bare vocals, then bursts into brightly crashing rhythms and lyrics revealing the time-bending quality of The Get Up Kids‚Äô songwriting. ‚ÄúI started writing ‚ÄėSatellite‚Äô about my son who‚Äôs 14 and a total introvert‚ÄĒnot antisocial, he just genuinely likes to keep to himself,‚ÄĚ says Pryor. ‚ÄúBut then somewhere down the line I started singing about myself‚ÄĒabout how even when you‚Äôre playing a show to a room full of people, I can still feel anxious and isolated.‚ÄĚ
Throughout Problems, The Get Up Kids again prove themselves attuned to the nuance of highly specific emotions, and ultimately validate the messiest and most nebulous of feelings. On the joyfully swinging, piano-heavy ‚ÄúThe Problem Is Me,‚ÄĚ for instance, the band explores the notion of embracing your own romantic dysfunction, while ‚ÄúSalina‚ÄĚ captures a small moment of melancholy with sweeping intensity and sprawling guitar work. Later, on ‚ÄúYour Ghost Is Gone,‚ÄĚ The Get Up Kids deliver a gently devastating piano ballad sparked from an instrumental piece Dewees wrote soon after his mother‚Äôs death.
Through the years, The Get Up Kids have purposely pushed themselves toward previously unexplored songwriting material. ‚ÄúI‚Äôm 41 now, I could never write a song like when I was 19‚ÄĒall those ‚ÄėI miss my girlfriend‚Äô kind of songs,‚ÄĚ Suptic says. ‚ÄúIt‚Äôs always important to us to write about wherever we are right now.‚ÄĚ As shown on Problems, the resulting output both preserves the beloved spirit of The Get Up Kids and creates an entirely new context for their music. ‚ÄúA big part of the reason why we started writing new songs in the first place is that we have things we want to say about this moment in time,‚ÄĚ says Pryor. ‚ÄúWe‚Äôre still so connected to our past and where this all came from‚ÄĒit‚Äôs definitely a celebration of the fact that we still get to do this.‚ÄĚ
1 Satellite (2:55)
2 The Problem Is Me (2:42)
3 Salina (4:38)
4 Now Or Never (3:05)
5 Lou Barlow (2:17)
6 Fairweather Friends (3:24)
7 Common Ground (4:04)
8 Waking Up Alone (3:28)
9 The Advocate (3:12)
10 Symphony Of Silence (2:56)
11 Brakelines (2:21)
12 Your Ghost Is Gone (3:48)
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