Ok… hm… uh, well, firstly points for being unique – I mean this is Matmos we’re talking about, so that’s to be expected.Â Ultimate Care II is the name of a Whirlpool washing machine model… that isn’t a coincidence. This entire (yes, entire) album was made purely from sounds made fromÂ and of a WhirlpoolÂ Ultimate Care II. This might be the best press (no pun intended) Whirlpool has ever gotten. Matmos have opened up an entirely new musical frontier. You, too, can use your home appliances to make art. The land of music has been flattened evermore. Â There’s two vinyl variants – the one available through mail order is called “very dirty laundry” and the record store version is called “clean laundry” which is a blue recordÂ with a white swirl.Â Thrill Jockey, at the moment, knows more than anyone what this record sounds like so reading their synopsis might give you a better understanding of what to expect. Listen to an excerpt below via the SoundCloud player and see what you think of it. Cheers!
CD version in digipack with 8 page booklet. LP pressed on virgin vinyl and packaged in a heavy stock jacket with full color inner sleeve and free download card.
The limited "very dirty laundry" (brown with white swirl) color vinyl is exclusive to Thrill Jockey mailorder. This version will not be sold in stores! Look out for a "clean laundry" (blue with white swirl) color vinyl in select indie stores upon release.
Ultimate Care II is the new album from renowned conceptual electronics duo Matmos (Drew Daniel and M.C. Schmidt). Recorded in the basement studio of their home in Baltimore, the album is constructed entirely out of the sounds generated by a Whirlpool Ultimate Care II model washing machine. Like its namesake, the album runs across its variations as a single, continuous thirty eight minute experience that starts with the grinding turn of the wash size selection wheel, and ends with the alert noise that signals that the wash is done. Between these audio-veritĂ© book-ends, we experience an exploded view of the machine, hearing it in normal operation, but also as an object being rubbed and stroked and drummed upon and prodded and sampled and sequenced and processed by the duo, with some occasional extra help from an ultra-local crew of guest stars (some of whom regularly do laundry chez Matmos). Dan Deacon, Max Eilbacher (Horse Lords), Sam Haberman (Horse Lords), Jason Willett (Half Japanese), and Duncan Moore (Needle Gun) all took part, either playing the machine like a drum, processing its audio, or sending MIDI data to the duoâ€™s samplers. The vocabulary of the Ultimate Care II, its rhythmic chugs, spin cycle drones, rinse cycle splashes, metallic clanks and electronic beeps are parsed into an eclectic syntax of diverse musical genres. The result is a suite of rhythmic, melodic and drone-based compositions that morph dramatically, but remain fanatically centered upon their single, original sound source.
Like their promiscuous DJ sets, the palette of genres in play reveals Matmosâ€™ hybrid musical DNA: Industrial music, vogue beats, gabber, Miami bass, free jazz, house, krautrock, drone, musique-concrete, and new age music all churn up to the surface and are sucked back into the depths. In this moirĂ© pattern of textures, the listener encounters elements that sound like horns, kick drums, xylophones or sine waves, but in fact each component is meticulously crafted out of a manipulated sample of the machine. In other hands, such relentless conceptual tightness would court claustrophobia. Happily, Matmosâ€™ willingness to transform audio and engage pop structure bypasses arid, arty thought exercises and produces instead their signature effect: abject and unusual noises yielding weirdly listenable music.
The duo know how to rein back the processing too. In its starkest passage, we hear the rinse cycle of the machine run uninterruptedly for four minutes as a slow filter sweep combs across the oceanic frequency range. The result is a kind of â€śEnvironmentsâ€ť LP that never was: the Psychologically Ultimate Washing Machine. Itâ€™s a gesture thatâ€™s likely to infuriate some people and tantalize others. Is this the conceptualist emperorâ€™s new clothes, a wistful domestic reverie, a parody of recent moves in â€śobject orientedâ€ť philosophy, a feminist point about alienated domestic labor, an elegy to a discontinued model that stands in for unsustainable and water-wasteful technologies generally, or simply an immersion in the beauty of the noises of everyday life? Sucker-punching ambient pastoral, the album ends with a techno-industrial-booty bass workout that recapitulates motifs from across the entire composition before grinding to a halt, its task completed. Funny and sad, bouncy and creepy, liquid and mechanical, Ultimate Care II swirls with perverse paradox, but the agitation at its core offers vital evidence of Matmosâ€™ abiding faith in the musical potential of sound.
In a visual analogue to the recording process, the artwork for the album is constructed entirely out of photographs of the machine in question shot in its natural habitat and then digitally manipulated by New York artist Ted Mineo. Lending trunk-rattling low end and sharp high frequencies, Rashad Becker mastered the album at D&M in Berlin. San Francisco motion graphics firm L-inc, who created the â€śVery Large Green Trianglesâ€ť video for Matmosâ€™ last album, â€śThe Marriage of True Mindsâ€ť, are slated to create a video to accompany Ultimate Care II. The duo will be performing in the United States and Europe to celebrate the release. The washing machine was not available for comment.
- Maybe Buy
- Not My Style
- Too Expensive