Jan St. Werner’sÂ Miscontinuum Album, if it’s anything likeÂ Blaze Colour BurnÂ orÂ Transcendental Animal Numbers, will feel like the fever dream to top all fever dreams; as of press time, Thrill Jockey hasn’t made a preview available. Within the confines of Blaze Colour Burn orÂ Transcendental Animal Numbers,Â you feel paralyzed as you listen to all of the woodwinds that sound… off, the people mingling with one another on a beautiful sunny day, mouse clicks, keystrokes, strings that wearily drone in to existence and other harrowing sound effects. If I can safely assume anything,Â Miscontinuum AlbumÂ will be a ride and it will not meant to be driven; you are merely a passenger that St. Werner has given the privilege of experiencing this surreal third installmentÂ of his Fiepblatter Catalogue. There’s no true consistency to either of his past two installments to the Fiepblatter Catalogue,Â however St. Werner’s arrangements are nothing less than hypnotic. To get a (what I assume to be) taste of things to come, check out Blaze Colour Burn via the Spotify stream below and see what you think of it. Cheers!
Miscontinuum Album documents an impressive new work by seminal electronic musician Jan St. Werner, whose innovations with Mouse on Mars and Microstoria are well documented. Over a period of approximately four years Miscontinuum has been developed and refined as an operatic live performance in Munich, as well as a radio play. This recorded incarnation of the work is the third entry in Wernerâs lauded Fiepblatter series, and features contributions by Dylan Carlson (Earth), Markus Popp (Oval), Kathy Alberici, and Taigen Kawabe (Bo Ningen). It is a challenging listen not compromised for casual music consumption habits, but with time and close listening it yields vast rewards. Miscontinuum Album is a radical convergence of sound exploration and storytelling that has few precedents.
The central concept of Miscontinuum explores misconceptions of time and memory, inspired by unique acoustic phenomena derived digital phasing and musical time stretching techniques. There is an aura of doom that pervades the work. Much of the albumâs evocative nature comes from the interplay of Wernerâs electronics with Alberici and Kawabeâs voices and the contrast between those organic and inorganic elements. Popp, a longtime collaborator with Werner in Microstoria, wrote the libretti, which is presented in five distinct scenes and recited redolently by Carlson. The surreal plot involves a progressive distinction of time as a force rather than a structuring system, and an individual who can shift consciously between states within that force. The high concepts and unusual creative partners combine for an album that is uncommonly emotionally resonant.
Miscontinuum was first performed as a part of Wernerâs Asymmetric Studio series in Munich on June 18th, 2013, and also featured video by Werner and Karl Kliem and stage design by Christina del Yelmo & Sonia Gomez Villar. It was broadcast by Bayerischer Rundfunk public radio ten days later. The striking visual elements, flowing dresses and impressionistic masses of color, make appearances on the albumâs art, and will be presented in new forms in the coming months. The first revised version of the Miscontinuum featuring live video by Zoya Bassi will premiere at the St Luke's Church in London on Feb 8th 2015 and is the first in a series of more shows to come in 2015.
BUNDLE DETAILS: Available for a limited time, get Miscontinuum Album (Fiepblatter Catalogue #3) bundled with Blaze Colour Burn (Fiepblatter Catalogue #1) Get them both and save five bucks!
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- Maybe Buy
- Not My Style
- Too Expensive