This is another Morr Music reissue and it’s from experimental German trio Aloa Input – they sing in English, don’t worry. Anysome appears to make it the trio’s debut full-length, if not their debut ever and they make quite the imprint. Debuts are odd, because they’re supposed to serve as a taste of what the artist/band is going to do but if you look at some acts, many have deviated from the formulas used (My Bloody Valentine, Metric, Feist, Broken Social Scene, of Montreal for a few examples); whether they were successful, or not (which is already a relative concept in the music world, more so with indies), seems to be irrelevant but with subjectivity, who can say? Aloa Input seems to touch upon multiple genres within the thirteen tracks on Anysome. Like the cover would suggest, it’s like going through a tropical jungle with some oddities thrown in to the mix. Check out the Spotify stream of¬†Anysome below and see what you think of it. Cheers!
Fortunately, three guys hailing from New Weird Bavaria are on a musical mission to fight the ever-advancing forces of entropy and monotony: Calling themselves Aloa Input for a reason ‚Äď it‚Äôs also the band‚Äôs collective motto ‚Äď, Cico Beck (aka Joasihno), Marcus Grassl (formerly part of Missent To Denmark) and Florian Kreier (aka Angela Aux) obviously love all kinds of input; the further apart the sources and inspirations, the better. Always on point when it comes to picking the best bits and pieces of so much input, Anysome, the band‚Äôs debut full-length, essentially resembles a huge map that covers most of the musical worlds and sonic landscapes we know. Make no mistake: Borges might claim a map of that size is useless, it‚Äôs nevertheless a hell of a ride.
Drawing from a long list of influences all three members agree upon (e.g. Animal Collective, Eno, Beck, Beatles, Morricone, Why?, Can, The Notwist), Aloa Input are well aware of the album‚Äôs world-spanning approach, mentioning ‚Äúguitars from Cape Town to Portland, beats from Berlin to Chicago, and vocals from NYC to D√ľsseldorf‚ÄĚ. And yet there‚Äôs more to Anysome: the exotic detours, the band‚Äôs willingness to experiment and to go that extra mile for a good hook, the hypnotic singing and electrified horizons, all neatly placed on top of minimalist basslines. Another important skill mastered by Aloa Input: Though certainly not content with doing just one thing, the resulting itinerary never resembles a zigzag line.
With the album‚Äôs ‚ÄúPrelude‚ÄĚ we enter a world that in fact seems to be coming at us, rolling up like the flickering images of a Laterna Magica: mellow birdsong, paired with hazy strawberry field sounds, at least for now, and we‚Äôre already pushed on into ‚ÄúAnother Green World‚ÄĚ, a place that‚Äôs pure exuberance and bliss. That second track alone, stomping ahead, makes it blatantly clear that Aloa Input love to run riot with styles and approaches, and yet they never leave the rails: Diversity or switching gears, for them, is never an invitation to let chaos reign supreme ‚Äď instead it‚Äôs just more fuel for a mind-blowing ride. Some of the stops: world pop in search of greater truths (‚ÄúPrblms‚ÄĚ), burning bushes (and Kraut references) in Africa (‚ÄúRubbish‚ÄĚ), a mirage reminiscent of cLOUDDEAD (‚ÄúClouds So Far‚ÄĚ), all kinds of euphoric choruses with melancholy hatches underneath, plus the recurring sense that people get older, we all do, yet the ride can be fun, especially when it has a new soundtrack every four minutes, so it‚Äôs all good as long as there‚Äôs enough input to have fun with.
The ‚Äúfinal trilogy‚ÄĚ ‚Äď that‚Äôs how the band refers to the last three tracks ‚Äď, is basically a prolonged good-bye: ‚ÄúGoing Home‚ÄĚ (getting up, only to sit down again), ‚ÄúSomeday Morning‚ÄĚ (spelled ‚Äúradio-friendly‚ÄĚ backwards), and ‚ÄúZweiklang‚ÄĚ, somewhat longer, because it‚Äôs just too early to stop. Unpacking and looking back, we realize: Anysome is all over the place.
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