RIYL: bleeps and bloops
Voice Model is Koen Holtkamp’s latest effort out on Mexico City experimental labelÂ Umor-Rex.Â Voice Model is a roughly thirty-three minute exhibition of twinkling synthetic stars.Â Voice ModelÂ doesn’t seem like something you internalize, but something that merely exists to survive in the ambient environment with you as the locus point or projector. Holtkamp makes reference to his German ancestry with the cover – either that, or it’s just a coincidence – which is fitting, as many electronic pioneers, or pioneers who used electronic instruments to augment their music, hail from there. Kraftwerk, Gas and Basic Channel are a few names you might be familiar with.Â Voice Model doesn’t abstract a genre, but just is abstract. You can envision the synthetic arpeggios bounce around in the darkness of your eye lids and within the recesses of your mind. Imagine you as that sphere on the cover – more or less devoid of color and ready to be transmuted to whatever color or form is suitable. Listen to the first side of the vinyl via the Bandcamp player and a preview of the B side via the Buy Now link below and see what you think of it. Cheers!
Koen Holtkampâ€™s music is never quite what it seems. There are distinct textures, tones, structures, relationships, and references â€”the things that bring us back again and again, but the undercurrent remains elusive.
For listeners unaware of Holtkampâ€™s solo efforts, most will have encountered him as half of the Brooklyn based duo Mountains (Thrill Jockey) â€”a project which has pushed musical boundaries for more than a decade. Voice Model wades effortlessly into this same ambitious territory, but focuses on the breadth of possibility activated by a narrow band of sonorities. Itâ€™s two interrelated works, Scene One and Scene Two, feature Holtkamp on piano, modular synth, bowls, cymbals and processing, as well as contributions by Nina Mehta on Flute and Josh Millrod on trumpet. Both sides, though in clear conversation, weave autonomous worlds - collapsing the ground between the historic efforts of Groupe de Recherche Musicales (GRM), New Age, and contemporary avant-garde practice, while sculpting their own worlds of sonic potential and understanding.
Voice Modelâ€™s fascinating intricacy works gradually like the sediment of time, gathering beneath a pool of conflicting streams, and defying the normal expectation of structure and artistry. Though the album fits seamlessly into the larger body of Holtkampâ€™s output, his hand remains elusive. Sounds appear to have sculpted themselves - to have appeared from an organic inevitability. This is an exploration of discrete encounters within an electronic ecosystem - a world of chance, where the dimensions of time unfold. As its tones ricochet off each other, they lead us not to themselves, but towards a whole. Single tones and textures expand and bleed, generations of influence raise their heads and disappear into the shadows.
Recorded in 2014 and 2015 before being allowed to percolate for the better part of a year, Voice Model finds an artist at the height of his powers â€”curious, and at equal ease with challenge and invitation. Itâ€™s singular and mature and welcomes listeners both seasoned and new to these territories.
- Maybe Buy
- Not My Style
- Too Expensive