RIYL: dark and industrial techno
Label: Further Records
Points off the bat for Crotaphytus naming all these tracks, and this album, after reptiles. Modern day reptiles are some of the closest links we have to the dinosaurs of yore.¬†Acanthosaura, and I’m going to have to use this word again, is primordial.¬†Acanthosaura‘s the soundtrack for, in their words, “a world of flickering shadows, dark ambient textures and ominous bass tones.” The flickering shadows in this world are cast by vicious dinosaurs, the dark textures consist of the faint glints of light cast off from said dinosaurs’ scaly surfaces, and the ominous bass tones come from the rumbling guts of these starving beasts.¬†Acanthosaura, while primitive sounding, also sounds like it’s giving a voice to a dystopian alternate future/reality where dinosaurs are the apex predators once again. The cover, at least to me, resembles a cavern wall with some blood splashed on the bottom. Take a trip to the past with¬†Crotaphytus below via the Bandcamp player and see what you think of it. Cheers!
Robert Witschakowski takes a break from rewiring the rules of electro with his prolific The Exaltics project to deliver the eerie soundtrack album, ‚ÄėAcanthosaura‚Äô.
Working with Nico Jagiella - with whom he co-runs the Solar One label - the pair have created the soundtrack for a world of flickering shadows, dark ambient textures and ominous bass tones. It‚Äôs the first Crotaphytus release in six years and according to Witschakowski, a project stemming from his love of reptiles and movie soundtracks. Like previous Crotaphytus releases on Solar One, ‚ÄėAcanthosaura‚Äô is a deeply atmospheric affair.
With each track title a reference to different types of lizards, from the death-paced drums of ‚ÄúCyclura Cornuta‚ÄĚ to the slow-motion ebm-disco groove of ‚ÄúXenosaurus Platyceps‚ÄĚ and the murderous subs of ‚ÄúCaiman Latirostris‚ÄĚ. In between, the dark ambient passages of ‚ÄúConolophus Subcristatus‚ÄĚ and ‚ÄúAmblyrhynchus Cristatus‚ÄĚ as well as nods to The Exaltics‚Äô spaced out electro in ‚ÄúIguana Delicatissima‚ÄĚ.
However, Robert insists that the album remains true to the project‚Äôs ethos.
‚ÄúCrotaphytus is always dark and haunting. The project has no rules and that gives us the total freedom to make everything with it. I make also different styles with The Exaltics, but I have a concrete vision every time. With Crotaphytus, we let it flow and see were we land at the end.
‚ÄúFor this album, we tried to create an atmosphere like you are in a deep jungle, chased by giant lizards. Ambient has really the power to transport feelings. I guess this is subliminal in us from watching films. Most soundtracks have a lot of music without beats, so we collected tracks with beats and also ambient ones. It‚Äôs like a soundtrack for a movie,‚ÄĚ Robert explains.
Listen closely and you can hear the sound of the jungle at night as ‚ÄúXenosaurus Platyceps‚ÄĚ draws to an end or on the dusky dread that sets in on album closer ‚ÄúAmblyrhynchus Cristatus‚ÄĚ. From that perspective, there are similarities to The Exaltics.
‚ÄúI‚Äôm a sucker for atmospheric music. I need to imagine things by hearing music. Other worlds, fantasy, come down from a daily struggle, so it‚Äôs a must when I‚Äôm involved in a project. I could say half of Crotaphytus, the atmosphere, that is me, and the other half, is the power Nico gives to the project,‚ÄĚ he points out.
‚ÄėAcanthosaura‚Äô is the first Crotaphytus release on Further, but not the last. ‚ÄúI‚Äôm really happy how it came together. It‚Äôs growing into a very interesting project and with all this atmospheric ambient it fits very well with Further. I would work with them anytime again,‚ÄĚ says Rob.
In the meantime, listen to Crotaphytus scale the heights with the dark ambient masterpiece, ‚ÄėAcanthosaura‚Äô.
releases August 19, 2016
Mastered by Alden Tyrell
Artwork by Chloe Harris
- Maybe Buy
- Not My Style
- Too Expensive