I enjoy seeing artists put restrictions on themselves (intentionally, of course) because you see what they can do outside of their comfort zone and ultimately, you get to see a small chunk of the utility one can derive from the only sources allowed within the restrictions. Zemi17, who’s a part ofÂ multiple New York underground collectives including The Bunker, made this record entirely out ofÂ sounds sourced from insects, birds, motors and urban noises. Aaron Taylor Kuffner is able to make extremelyÂ broodingÂ and smoothÂ techno tracks out of so little, and the results are quite impressive. “Impressions,” the A-side, places you inside of a sweaty and seedy club with plenty of gamelan. There’s so many people in there, it’s like a jungle with all the body heat. “Rangda,” the B-side, is a woozy and extremely urban sprawl in which Kuffner takes you out of the club and in to the depths of night. Kuffner takes you from block to block, showing you his city’s innermost and best kept secrets. Check out the Bandcamp stream ofÂ ImpressionsÂ EP below and see what you think of it. Cheers!
The composer and sculptor Aaron Taylor Kuffner is well known for co-creating the Gamelatron project in 2008, the worldâs first fully robotic gamelan orchestra. His one-of-a-kind creation has been shown in major venues and festivals worldwide, ranging from the Smithsonian to Fuji Rock, and at galleries and festivals across Asia, Europe, Russia and North America.
In 1997, Kuffner created another musical project, Zemi17. Zemi means cicada in Japanese and the 17 references the 17-year lifecycle of the periodical cicadas found in the northeast of the United States. The success of the Gamelatron Project put Zemi17 on indefinite hiatus until The Bunker dug out one of Kufferâs last surround sound live sets from Unsound New York in 2012 and asked him for a 12â of that material.
The Bunker is proud to release âImpressionsâ and âRangda,â two long and seductive tracks made entirely of sounds of insects, birds, motors and urban noises spliced together with treated samples of gongs and metallophones to create lush techno compositions. It is hard to tell if this release is going to be a new beginning for Zemi17 or an homage to a wildly interesting music character who has been a part of The Bunker community from its early days at subTonic. Either way, these tracks are as beautiful as they are original.
Kuffner has been a a prolific producer of underground and outlaw events in New York since the 90's: as a cofounder of the Ransom Corp, a member of the Blackkat Sound System, Havoc Soundsystem, and Amoeba Technology, he also frequently worked with Complacent Nation. In 2002, he moved to Berlin to produce a multimedia art festival and compose for an experimental theater group, before moving even further afield to Indonesia and immersing himself in the study of gamelan.
Kuffner returned to New York in 2007, joining influential outlaw event crew The Danger as a resident DJ. He began producing music made entirely of samples he had gathered in Indonesia, re-imagined into hypnotic techno masterpieces. Alongside Dok Gregory, he amassed a large sound system that they set up in the front room of The Bunker at Public Assembly for years. Taylor also collaborated with Kevin Balktick to produce the ambient music series âAuditorium,â taught Ableton Live at DubSpot and performed on MIDI breath controllers with the trio Zero Gravity Thinkers.
released 01 September 2014
Mastered by Neel at EnissLab
Cut at Dubplates and Mastering
Pressed at Brooklyn Phono
- Maybe Buy
- Not My Style
- Too Expensive