RIYL: Techno's 90s heyday, Aril Brikha
Label: Delsin Records
Tomorrow (in some parts of the world, today), many evenings will be #lit or #turnt, as the kids say. How fitting that the New Year will be starting on a Friday. Growing up, my family never really made a huge deal of New Year’s – plenty friends’ families did though, so I would be invited there. Now that I’m older, New Year’s Eve/Day has become a nice excuse to get together with buddies and throw fat ragers. If you happen to be hosting a fat rager for your friends/family, you need a fitting soundtrack for the borderline bacchanalian festivities. Techno has a colorful history and it’s something, for better or worse, that the general public will associate with the night or raves. I think even in passing, one can appreciate techno for its ability to become white noise or something to dance to. If you’re making a New Year’s Eve playlist, then maybeÂ Athabaskan LanguagesÂ can help – this is the typical quality Delsin fare. Listen to a preview of the EP by clicking through the Buy Now link below and see what you think of it. Cheers!
A year after his last outing on the label, Gunnar Haslam is back on Delsin with four more tracks of idiosyncratic techno. Before Haslam has also released on LIES and Mister Saturday Night, and each time he does he finds new life and excitement in this most tried and tested form.
Opening up this EP with the title track, Haslam cooks up a spangled brew of erratic synths and spinning hi hats and ties them together with a heavy rubber kick drum. Dynamic and restless, it is a perfect tune to freak out the floor. â€˜Sarsiâ€™ is then completely different, with a rippling synth line growing ever more intense as sombre chords stretch out behind. It is a beatless and emotionally forlorn cut that still manages to take you somewhere special.
On the flip, â€˜Sirenikâ€™ gets back to deep dance floor business with a scale-climbing bassline and prickly hi hats all moving at an inviting pace. Scurrying alien sounds, distant dub chords and bouncy drums flesh things out and make for an emotional roller coaster before â€˜Hellegatâ€™ closes thing out in frenzied, Millsian style. As mad synths dart about like balls in a lottery machine, a creepy sense of tension builds behind and physical drums punch you down low. Each track here is different from the last, and each track here is a refreshing proposition from one of the most interesting guys around.
- Maybe Buy
- Not My Style
- Too Expensive